It is "Christmas Time" again and concerts are showering upon us - the choice is dazzling and even my choir is having its share: one concert yesterday and another tomorrow here in Brussels. We sing the "Messe en Si" or in german, as it should be, the "H-Moll Messe" by Johann Sebastian Bach. Great fun - and so dependent in its success on our public! Yesterday went well, the church was outsold and some people had no places to sit - I think we did pretty well. Doing a concert is always also question of nerves and the state of mind of the moment. Let us see, what will come out tomorrow!
In my older post about music I mused about the choice hearing music in the best available quality of interpretation and musicians out of the box or hear it, perhaps in lesser quality, live, with your ears, eyes and body.
With so many lovely concerts available I thought once again about this and come to the same conclusion every time. It is simply always a treat and a complete adventure to hear music "live", more adventurous then, to do it oneself. Sometime not for the fainthearted! Once we sang a concert, also in the Minimes, and for at 20 mesures we simply did not sing - but all the 30 people together kept silent, as if directed by a magic force. And we started all together at the most appropriate moment again, which very fitting was the exclamation "My God"! Apparently nobody noticed!! Afterwards great many laughters and also wonder about the fact, that we all did keep silent and nobody made a quack. These are the adventures of having music "done" in the moment....
If you go to a concert it is indeed a multitasking experience. Not only are you going to hear music in a condition, where it is not remixed and worked upon, but comes out and is consumed the moment it is produced. As it is human and made in the moment, it might well be that there is the odd hobble or a wrong tempo or even a false note sneeking in.
Fact is: you have many other people around you, some of them coughing, others talking and shuffling around. There might be a portable shouting out loud or somebody reading a newspaper. Sometimes smelling strongly of perfume or, worse, an used shirt.
Then you have to watch - or you can watch - the musicians or the single person alone there on the stage. Everybody who has had the experience of being obliged to see a bored orchestra knows what I am talking about.You might even watch one of the soloists taking a little nap during the aria of her collegues ( I am not kidding!).
Last but not least: You cannot go out, if it not pleases you - bad disadvantage of you do like Beethoven, but have to sit through some Stockhausen first.
Actually, I think it is a good education in our impatient and fast world to sometimes sit through music you do think to find awful. Just give it a chance and be open to new stuff....?
But back to the roots: the advantages are so much bigger: the feeling of communion with your other co- listeners, the immediate reaction of your body to great moments and the loosing of oneself in the music is an experience you cannot buy or produce alone at home on your sofa. The utter fascination seeing such a star like Cecilia Bartoli wooing and playing the public or the animalic iciness of Philippe Jarousky singing on the top of his voice, or even being lost in tears with John Eliot Gardiner and the Brahms Requiem: Seeing and watching and feeling all together in this magic, immediately lost moments "makes" music. And this is so much more.
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